JOSEPH KYLE writes....
Anyway, here's my questions...I did 'em in a dialogue style because that's so much more interesting than straight up things..
hope all's well.
thanks!
1. 1. Hey, Anton, how's it goin'?
2. 2.
Listening to Aufheben in its entirety, the one thing that struck me is
that there's a wonderful connection between past and present. On one
hand, it reminds me of your earliest work, which is more shoegaze-y and
fuzzy, and yet, it's also your most progressive record as well, with a
wonderful blend of beats and more electronic moment. It's very much a
part of what came before it, but yet, it's not like other bands who have
been around for the same length of time who feel it necessary to rehash
their familiar sounds. You give your audience credit, Anton, for
wanting something new and for being alongside you in your
experimentation, instead of givin' 'em
"Servo" part two or whatever--and that's so awesome.
3. How does the title and the concept of Aufheben fit into what you're doing musically?
. 4.
You've always been an early adopter of the Internet--first to utilize
the use of file sharing, one of the first people on Myspace, one of the
first bands to actually be on Myspace, too. What really makes this record different is that it seems like your first entirely public album,
wherein it was made with an audience actually able to come into the
creative process and into the studio via DeadTV and Youtube. As a
listener, I know that the finished product was something I was eagerly
awaiting. What was the experience
like from your side of the experience? Liberating? Frustrating? Did the
audience feedback and input help you? After all, it seems as if
Aufheben has taken the most time to make out of your previous records.
5.
Glen Gould (you know how I love the man's work) once said that the
artist/audience relationship would eventually become one with the
performance arena becoming obsolete in favor of a technological
relationship wherein the artist would and could create while either the
audience watched, or, on the other end of the spectrum, music is issued
from down on high and performed in the studio, with no concern or
thought of audience or live appearance. Ustream = the ultimate livin'
his dream, baby? More importantly, do you feel that DeadTV is as much a
studio tool for you now, to be
utilized and used, in the same way as any other instrument in your
toolbox?
5. 6/ Speaking of DeadTV, your loyal fans might want to know: will you be DeadTV-ing on your upcoming world tour?
6. 7.. Thank you, Anton, for making Aufheben. It was a joy to listen. Any other words for our readers?
take one (my first reply)
listen joseph,i've tried several times to answer these questions or
follow your lead,and it's not working for me. i think i should make some sort of
statement instead:
i honestly feel that people like simon cowell and his ilk have succeeded in lowering the bar for artistic merit so far that i have to thank him and the major media outlets for it.lets get real for a second and use the example of say the charts for the year i was born 1967 http://en.wikipedia.org/wiki/List_of_Hot_100_number-one_singles_of_1967_%28U.S.%29
i honestly feel that people like simon cowell and his ilk have succeeded in lowering the bar for artistic merit so far that i have to thank him and the major media outlets for it.lets get real for a second and use the example of say the charts for the year i was born 1967 http://en.wikipedia.org/wiki/List_of_Hot_100_number-one_singles_of_1967_%28U.S.%29
Issue Date | Song | Artist(s) | Reference |
---|---|---|---|
January 7 | "I'm a Believer" | The Monkees | |
January 14 | |||
January 21 | |||
January 28 | |||
February 4 | |||
February 11 | |||
February 18 | "Kind of a Drag" | The Buckinghams | |
February 25 | |||
March 4 | "Ruby Tuesday" | The Rolling Stones | |
March 11 | "Love Is Here and Now You're Gone" | The Supremes | |
March 18 | "Penny Lane" | The Beatles | |
March 25 | "Happy Together" | The Turtles | |
April 1 | |||
April 8 | |||
April 15 | "Somethin' Stupid" | Nancy Sinatra and Frank Sinatra | |
April 22 | |||
April 29 | |||
May 6 | |||
May 13 | "The Happening" | The Supremes | |
May 20 | "Groovin'" | The Young Rascals | |
May 27 | |||
June 3 | "Respect" | Aretha Franklin | |
June 10 | |||
June 17 | "Groovin'" | The Young Rascals | |
June 24 | |||
July 1 | "Windy" | The Association | |
July 8 | |||
July 15 | |||
July 22 | |||
July 29 | "Light My Fire" | The Doors | |
August 5 | |||
August 12 | |||
August 19 | "All You Need Is Love" | The Beatles | |
August 26 | "Ode to Billie Joe" | Bobbie Gentry | |
September 2 | |||
September 9 | |||
September 16 | |||
September 23 | "The Letter" | Box Tops | |
September 30 | |||
October 7 | |||
October 14 | |||
October 21 | "To Sir With Love" | Lulu | |
October 28 | |||
November 4 | |||
November 11 | |||
November 18 | |||
November 25 | "Incense and Peppermints" | Strawberry Alarm Clock | |
December 2 | "Daydream Believer" | The Monkees | |
December 9 | |||
December 16 | |||
December 23 | |||
December 30 | "Hello, Goodbye" |
(shit,that doesn't even scratch the surface of how many great songs came out that year)
think about it.i could be angry that radio,television and cinema are
not only shallow and perhaps even toxic in their banality,maybe even
feel pains of sadness for young people knowing that they will never have
a chance to grow in an open minded stimulating enviroment full of
exploration,and examples personal freedom...but you know what? the way
it is is the way it is wanted...it's not like 10 year olds are demanding
lady gaga and justin beiber...no,this is by design.you can not want for
others what they do not want for themselves.
i'm not going to let it get me down any more then it ever has.i am going to carry on just like jack rabbid did when he set out to create this publication...i am going to share new and old music,art and information first of all to help create the enviroment i need myself,and to share new discoveries while being part of the grand tradition...and that is its own reward...because look,i really get it...the big picture...and i give credit where credit is due...so here goes nothing: thanks simon cowell and the rest of you players for making me a hero with your disposable culture.and thank you humanity for providing numerous examples of fake heroes and distractions,false truths and offenses as a sign post for me on this road i walk forever showing me paths not to travel.and most of all thank you jack rabid and joeseph kyle for your love of what you like and your pursuit of sharing the same.
i'm not going to let it get me down any more then it ever has.i am going to carry on just like jack rabbid did when he set out to create this publication...i am going to share new and old music,art and information first of all to help create the enviroment i need myself,and to share new discoveries while being part of the grand tradition...and that is its own reward...because look,i really get it...the big picture...and i give credit where credit is due...so here goes nothing: thanks simon cowell and the rest of you players for making me a hero with your disposable culture.and thank you humanity for providing numerous examples of fake heroes and distractions,false truths and offenses as a sign post for me on this road i walk forever showing me paths not to travel.and most of all thank you jack rabid and joeseph kyle for your love of what you like and your pursuit of sharing the same.
Aufheben
we should all be very proud to be a part of something so beautiful in such a ugly place in time.
http://www.youtube.com/watch?v=xeP0rc-OLZM
thank you tibo,rike,will,matthew,hakon,dino,fab,stuart,ted and everyone who is against the machine and thus for humanity.
much love,
a
http://www.youtube.com/watch?v=xeP0rc-OLZM
thank you tibo,rike,will,matthew,hakon,dino,fab,stuart,ted and everyone who is against the machine and thus for humanity.
much love,
a
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